It seems these were swarming this week across the UK; took these on Friday...
Adela reaumurella - male and female (Yes - I know they are moffs; but at least they fly in the day......

Thanks Nick. They look to be the same species. Literally hundreds of them today, particularly around hazel trees.NickB wrote:Hi David
It seems these were swarming this week across the UK; took these on Friday...
Adela reaumurella - male and female
Best day of the year for me too. This morning went for a walk along the Itchen Navigation south from Bishopstoke. Bright unbroken sunshine and a stiff cold breeze meant the day started slowly. No butterflies but I did see a couple of fresh male Agrion virgo. My first damselflies of the yearIan Pratt wrote:Best day of the year for me so far.
Very difficult. This is one of the few occasions that I use flash (flash is as short as perhaps as perhaps 1/5000th second) to freeze the movement. But if the flower is moving back and forth, then it will be in and out of focus, So you need to maximum the depth of field (that is, the range at which an object is recorded to an acceptable degree of sharpness).Also how to focus on a butterfly who is sitting on a flower that is moving in the wind
I thought you gave a good summary of the problem, Jack, until I happened to read a review of the Sony DSC-H20 compact, used by some contributors to this forum. I was surprised to read:Jack Harrison wrote: So you need to maximum the depth of field (that is, the range at which an object is recorded to an acceptable degree of sharpness).
I will need to conduct some tests to find out with my Lumix FZ150 to establish the situation. But I fear that it is probably true. (I had never thought about it before, just assumed it had a diaphragm). The electronics to achieve the desired results would certainly be simpler than a physical diaphragm. Interestingly, in very bright light at the seaside yesterday, I was over-exposing even at smallest stop f/8 and shortest shutter speed of 1/2000 with ISO at the minimum sensitivity of 100. So I had to add an external x4 ND filter. (not a camera fault: I had set exposure bias to -1.3)I thought you gave a good summary of the problem, Jack, until I happened to read a review of the Sony DSC-H20 compact, used by some contributors to this forum. I was surprised to read:
"Like most small-sensor compact digicams, the Sony H20 makes do without an iris diaphragm in the lens, meaning that the term 'stopping down' only refers to the engagement of a built-in neutral density filter. In consequence, you only have two 'aperture settings' at your disposal, irrespective of where you are in the zoom range. Another corollary is that stopping down hasn't the slightest effect on depth of field, which can thus be only controlled by changing the focal length or the camera-to-subject distance when feasible."(http://www.photographyblog.com/reviews/ ... 20_review/)
I don't know how widespread this design feature is but, if "most" in the above review is true , then there is no point in stopping down a compact to achieve greater depth of field!"
Tested. At smallest aperture f/8, noticeably BETTER depth of field than at widest f/2.8 So this would suggest that the camera has a REAL diaphragm and not an electronic neutral density filter.I will need to conduct some tests to find out with my Lumix FZ150 to establish the situation
From wiki:I wonder if the original review was strictly accurate or whether some of these compact cameras use Waterhouse stops (i.e. a plate with a smaller hole that can be inserted in the light path)